Thursday 28 March 2019

Soen - Lykaia Revisited


Soen      
Lykaia Revisited
Silver Lining Music

Music press can get right up my nose.  Instead of celebrating another great Swedish rock band who have already acknowledged their influences and whose drummer once played for another band, they jump upon one journalist’s comment of “sounding like..” and write only paragraphs to back that up.  It’s the same lazy claptrap that the motoring press said of my car’s ability to undertake motorway travel which has now gone beyond 135,000 miles.

Soen create memorable atmosphere and play a heavy progressive rock/metal.  They offer intricate music with a welcome return to rock with a more commercial appeal in the clean,  melancholic vocals from Joel Ekelöf,  yet balanced perfectly with their own metal riffs that to my ears don't sound like anyone else.

Each track displays catchy song craft, passages that ebb and flow with subtlety from thundering walls of sound to ringing guitars.  Short memorable riffs augment the quality lead guitar work.

You will gather that Lykaia Revisited is a re-mastered version of Lykaia which came out in 2017.  The sound is marginally better and there’s 2/3 extra live tracks depending upon your preference for digital or CD. It’s a shame this re-mastered version didn’t come with a separate full live album leaving the original intact, even if the final price reflected this.  Be assured, both albums are worth your plastic folding stuff,  but the original version finishes perfectly with the eight-minute God’s Acre that fades out to cap the original release.  Drummer Martin Lopez says however, that all the band felt that Lykaia could greatly benefit from being re-mastered whilst also sealing  the Lykaia era perfectly.

Concentrate on the fine music and not the comparisons made by others of this band.   May I thank reviews editor - Lee Vickers, for his personal copy of the 2017 version for comparison and for the opportunity to review and enjoy this updated version of perfection.

NE


Sunday 17 March 2019

Korpiklaani - Kulkija


Korpiklaani
Kulkija
Nuclear Blast

Neito (Maiden) , the first track from Korpiklaani's tenth studio album is a compelling trailer to a thriller.  Guitar, drums, and atmosphere, demonstrate a determination that they want to be known for more than folk or speed metal drinking songs and the snarled vocals are unambiguous.

Korpikuusen kyynel also has a ferocity but as in each of the fourteen tracks there is also a subtlety and depth whether provided by the accordion, fiddle, or the singing of Jonne Järvelä. He even uses a softer vocal on Aallon alla (Under the Wave) but against an even harder rock palate.  Harmaja is a slow restrained ballad with almost spoken word and tells of a bird that can't fly south due to a broken wing which yearns to return to its homeland.

Kotikonnut (Homestead) is an anthemic track with the accordion of Sami Perttula taking the role of lead guitar.  Kallon malja (Chalice of the Skull) is a ten minute magnus opus that will appeal to prog fans by featuring changes in pace from slow accordion to bass driven rock, to demonic fiddle.  Sillanrakentaja (Bridge Builder) begins with a memorable riff to rival Smoke on The Water, sounds like Maiden or Saxon, cheekily gets their own children to sound better than those in Another Brick in the Wall, and yet still possesses its own aura.

Kuin korpi nukkuva (Like a Sleeping Forest) begins with plucked fiddle, accordion and then morphs into a rocker before seamlessly becoming a tango at the outro.  Seven minute Tuttu on tie (The Road is Familiar) wraps up to show that Korpiklaani have cleverly added the theatre of nostalgia, lament and emotion to their blend of folklore in a beguiling rock release.

NE                               
                                    

Saturday 9 March 2019

Lucas & King


Lucas & King

Lucas & King

LK

This eponymous debut from the UK's South Coast duo of Bo Lucas and Hayleigh King could have been a hit in any decade since the fifties.  Influenced by the melodies of the past, they are talented Americana co-writers and confident performers who have played Cambridge and Glastonbury, picked up Fender's Undiscovered Artist of 2018 award and have supported Ray Davies on tour.

Assimilating the genre-spanning appeal of Lana Del Rey with the heart of Richard Hawley, they fashion fresh music that will gather new converts through their flair and originality.

They combine timeless pop with an unfashionable country reverb . The close chemistry allows each other the space to explore their own music (Bo on acoustic and vocals, Hayleigh on her Stratocaster) and results in a warm and irresistible debut which will make their dreams of success an outright certainty.

NE

The Municipal Tip

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